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    <lastmod>2022-12-12</lastmod>
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      <image:title>Studios - Jannes Van Rossom</image:title>
      <image:caption>Jannes first got in touch with the production side of music being a drummer as a young boy. This evolved in recording his own demo and using those learned skills on other bands at the age of 15. At the age of 18 he wanted to take his interest in sound recording to the next level and started at RITS (Brussels) for audio recordings focussed around audiovisual projects. Two years into this training Jannes decided pure music production was the way to go and moved to PXL Music in Hasselt, Belgium. During his years at this institute he was able to learn the craft from experienced producers such as Werner Pensaert, Stijn Verdonckt, Filip Heurckmans and many more. During his four months internship he worked with David Poltrock, Mario Goossens and Peter Schmidt. After graduating in 2014 he still works with most of them but he also built his own studio space which we are now happy to call one of our dunk!studios. Worked on: IDIOTS, Double Veterans, DVKES, De Mens, Jasper Steverlink, Yevgueni, Steak Number 8, BRUTUS, The Guru Guru, Douglas Firs, ROZA PARKS, Russian Circles (live album), The Scabs, Jacle Bow, Tom Helsen, Marco Z</image:caption>
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      <image:title>Studios - Jonas Everaert</image:title>
      <image:caption>Jonas developed an interest in music at a very young age. Growing up, he studied trumpet, piano, guitar and bass. At the age of 20 he moved to Ghent to study Music Production and Composition at the Ghent Conservatory. Here, he learned the trade from accomplished engineers such as Gert Jacobs, Reinhardt Vanbergen, Werner Pensaert, Jan Chantrain and many others. Since graduating he has been working in several studios and continues to do so until this present day. Since september 2018, he founded dunk!studios together with Jannes and the dunk!crew. He and his colleagues have been working hard to create an environment where musicians feel at home. He also works as an in house mastering engineer for dunk!records and dunk!pressing. Productions/bands worked on/with: Brussels Philharmonic, Dre Pallemaerts, Amir El Saffar, Tom Harell, Katrien Verfaillie, Ertebrekers, Anima Eterna, Lieven tavernier, Kommil Foo, Bruno Deneckere, Nils de caster, Froze, Soul of a Man, Walter Ertvelt, Okoh, Rosa Butsi, Kids in the waiting room, OPRL, Koen De Ruyck, Kleptomatics, Flairck, Phillipe Herreweghe, Bart Peeters, Marie Francois, Mathias Van de Wiele, Anemic Cinema, Mind Rays, UMM, Sarah Ferri and many more.</image:caption>
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    <loc>https://www.dunk-music.com/radio</loc>
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    <lastmod>2023-06-14</lastmod>
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    <lastmod>2020-05-27</lastmod>
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    <loc>https://www.dunk-music.com/home-burke</loc>
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    <lastmod>2025-05-12</lastmod>
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      <image:title>Home</image:title>
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    <lastmod>2018-12-17</lastmod>
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      <image:title>Our team</image:title>
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      <image:title>Our team</image:title>
      <image:caption>Picture by Nele Dierick</image:caption>
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      <image:title>Our team</image:title>
      <image:caption>Picture by Wout Lievens</image:caption>
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      <image:title>Team</image:title>
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      <image:title>Team</image:title>
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    <loc>https://www.dunk-music.com/ride-to-live</loc>
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    <lastmod>2017-05-15</lastmod>
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      <image:title>Ride to Live</image:title>
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    <loc>https://www.dunk-music.com/labelcontact</loc>
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    <lastmod>2020-09-28</lastmod>
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    <loc>https://www.dunk-music.com/template</loc>
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    <lastmod>2019-09-19</lastmod>
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    <loc>https://www.dunk-music.com/bolt-h-schulte</loc>
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    <lastmod>2020-08-12</lastmod>
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      <image:title>[ B O L T ] + Harold Schulte</image:title>
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      <image:title>[ B O L T ] + Harold Schulte</image:title>
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      <image:title>[ B O L T ] + Harold Schulte</image:title>
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    <loc>https://www.dunk-music.com/long-lost-treasures</loc>
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    <lastmod>2020-10-07</lastmod>
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      <image:title>Long-lost Treasures - Ranges • The Ascensionist</image:title>
      <image:caption>The five-piece brings a captivatingly succinct approach to a musical genre focused on the exploration of time and expanse while still staying true to the founding elements of the genre. Driven by deep concept and storyline, every note and climax is molded to a narrative that pushes the band and the listener to explore deeper compartments of their being both sonically and spiritually. Second pressing colour variant: Orange w/ Black</image:caption>
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      <image:title>Long-lost Treasures - We Lost The Sea • Triumph &amp; Disaster</image:title>
      <image:caption>Triumph and Disaster is an artistic exploration of how our greatest advances have brought our world to the brink of destruction. The record is in ways a reversal of the thematic elements of its predecessor. Rather than giving melancholic ideas an epic scope, We Lost the Sea begin with a towering concept and bring to it nuanced emotional shadings and a sadness painted with unique whimsy as it ponders the feeling of gazing upon the sweeping grandeur of what was once ours one final time through tired, crestfallen eyes. First pressing colour variant: Blue/Purple Centered Splatter on Milky Clear</image:caption>
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      <image:title>Long-lost Treasures - Tides of Man • Young and Courageous</image:title>
      <image:caption>After parting ways with their singer and a fruitless 2 years search for a replacement, the group decided they'd had enough. In an unprecedented move, Tides announced they would be abandoning the search for a new singer and would instead be moving forward as an instrumental band. The record has one foot firmly planted in the world of instrumental post rock, with the other tap dancing between indie and progressive rock, giving Tides a unique identity in a genre where nuance and subtlety is king. Colour variant: Milky w/ White Smoke</image:caption>
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      <image:title>Long-lost Treasures</image:title>
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      <image:title>Long-lost Treasures - Wander • March</image:title>
      <image:caption>March has an extremely high replay value, the quality high on every track, as it was on Glass. The difference between albums is that the band is now confident enough to stretch its wings, no longer content to play rock, now attempting guitar-based symphonies, and succeeding. Colour variant: Disc 1 Electric Blue w/ Black Splatter and Disc 2 Color in Color Coke Green w/ Black</image:caption>
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  <url>
    <loc>https://www.dunk-music.com/contact-1</loc>
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    <lastmod>2020-09-28</lastmod>
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    <lastmod>2020-09-28</lastmod>
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    <lastmod>2022-01-11</lastmod>
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    <loc>https://www.dunk-music.com/haester-1</loc>
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    <lastmod>2022-02-14</lastmod>
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      <image:title>template artist roster (2022)</image:title>
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      <image:title>template artist roster (2022)</image:title>
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    <image:image>
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      <image:title>template artist roster (2022)</image:title>
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    <image:image>
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      <image:title>template artist roster (2022)</image:title>
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      <image:title>template artist roster (2022)</image:title>
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      <image:title>template artist roster (2022)</image:title>
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      <image:title>template artist roster (2022)</image:title>
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      <image:title>template artist roster (2022) - Hæster • All Anchors, No Sails [LP]</image:title>
      <image:caption>Released on Oct. 12th, 2018.</image:caption>
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